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In a society as a whole, and in all its particular activities, the cultural tradition can be seen as a continual selection and re-selection of ancestors. Particular lines will be drawn, often for as long as a century, and then suddenly with some new stage in growth these will be cancelled or weakened, and new lines drawn. In the analysis of contemporary culture, the existing state of the selective tradition is of vital importance, for it is often true that some change in this tradition - establishing new lines with the past, breaking or re-drawing existing lines - is a radical kind of contemporarỵ change.
(Williams 1984, 69)